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Modernism versus Traditionalism: Art in Paris, 1888-1889 by Gretchen K. McKay, Nicolas W. Proctor, Michael A. Marlais
- Modernism versus Traditionalism: Art in Paris, 1888-1889
- Gretchen K. McKay, Nicolas W. Proctor, Michael A. Marlais
- Page: 58
- Format: pdf, ePub, mobi, fb2
- ISBN: 9781469641270
- Publisher: Reacting Consortium Press
Audio book mp3 downloads Modernism versus Traditionalism: Art in Paris, 1888-1889 by Gretchen K. McKay, Nicolas W. Proctor, Michael A. Marlais
Modernism versus Traditionalism: Art in Paris, 1888-1889 by Gretchen K. McKay, Nicolas W. Proctor, Michael A. Marlais Modernism vs. Traditionalism: Art in Paris 1888-1889 considers questions surrounding artistic developments at the end of the nineteenth century in Paris. Students will debate principles of artistic design in the context of the revolutionary changes that began shaking the French art world in 1888-1889. Images from the 1888 Salon and the tumultuous year that followed provide some of the "texts" that form the intellectual heart of every reacting game. Styles include conservative art espoused by the Academy, as well as more avant-garde art created by artists such as Van Gogh and Gauguin. Also included are the Impressionists and American artists in Paris. Students must read paintings as texts and use them as the basis of their positions in advocating for the future of art. In addition to these visual texts, students will read art criticism from the period, which will help form the basis of their own presentations in favor of one art style over another. These discussions are complicated and enriched by secondary debates over the economics of art, the rise of independent art dealers, and the government's role as a patron of the arts. The game culminates at the 1889 World Exposition in Paris.
Modernism vs. Traditionalism: Art in Paris, 1888-89 ...
Modernism vs. Traditionalism: Art in Paris 1888-1889 considers questions surrounding artistic developments at the end of the nineteenth century in Paris. Students will debate principles of artistic design in the context of the revolutionary changes that began shaking the French art world in 1888-1889.
Modern Art (1900–50) | Art History Teaching Resources
She has a Master’s degree in Contemporary Art history from the Institute of Fine Arts (NYU) and has taught Introduction to Modern Art as a Graduate Teaching Fellow at Lehman College since 2010. Currently, Amy is a genome contributor for Artsy and editor and contributor of Art History Teaching Resources.
Historical Painting Techniques, - The Getty
art historians, conservators, and conservation scientists working in the fields of historical painting techniques-including wall paintings and poly chrome sculpture-painting materials, and studio practice. In recent years, there has been an increasing interest in historical paint ing techniques.
Modernism versus Traditionalism: Art in Paris, 1888-1889 ...
Modernism versus Traditionalism: Art in Paris, 1888-1889 by Gretchen K. McKay, Nicolas W. Proctor, Michael A. Marlais Modernism vs. Traditionalism: Art in Paris 1888-1889 considers questions surrounding artistic developments at the end of the nineteenth century in Paris.
The Shock Of The New | Download [Pdf]/[ePub] eBook
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Introduction to modern art - SlideShare
* Modern art can be traced back to the INDUSTRIAL REVOLUTION, a period that lasted from the 18th to the 19th century * Characteristic of the 20th and 21st centuries and of the later part of the 19th century.
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